My gear for video shoots

Here is the equipment I use on my shoots, in Paris and all over France: full-frame cameras, fast lenses, lighting, wireless audio and live video monitoring.

If your project calls for specific equipment, I rent what’s needed.

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  • 5full-frame cameras
  • 6lenses
  • 10+LED light sources
  • 4wireless mics

01

Cameras & drone

Five full-frame cameras for multi-camera shoots with a clean image, even in low light, and a drone for aerial shots.

  • Sony Alpha 7 V MainFull-frame camera
  • 2 × Sony Alpha 7S IIIFull-frame cameras
  • Sony Alpha 7R IIIHigh-resolution full-frame camera
  • Panasonic Lumix S5Full-frame camera
  • DJI Mavic 3 ClassicDrone, aerial footage

02

Lenses

Fast zooms to work quickly, and primes for a cinematic look.

  • Tamron 16-30 mmf/2.8 Di III VXD G2
  • Tamron 28-75 mmf/2.8 Di III VXD G2
  • Sony FE 70-200 mmf/2.8 GM OSS II
  • Sony Distagon T* FE 35 mmf/1.4 ZA (Zeiss)
  • Sony FE 85 mmf/1.8
  • Sirui 50 mm anamorphicT2.9, 1.6x

03

Lighting

Controlled lighting in the studio and on location, with color sources to set a mood.

  • amaran Halo 600xLED light
  • Aputure LS C300d IIDaylight LED light
  • amaran 300cColor LED light
  • 2 × amaran 200dDaylight LED lights
  • 2 × SmallRig RC 220BBi-color LED lights
  • amaran Ray 120cColor LED
  • amaran F22cFlexible color LED panel
  • Nanlite PavoTube II 15X2 color LED tubes
  • Zhiyun Molus X200Compact color LED light
  • Godox QR-P90TParabolic softbox

04

Stabilization & grip

Smooth camera moves: stabilized shots, slider moves and car-mounted shots.

  • DJI RS 4Gimbal
  • Sachtler Flowtech 75Video tripod
  • iFootage Shark Slider S1Slider
  • EdelkroneSlider and motorized head
  • Tilta HydraSuction mount for car-mounted shots

05

Sound

Clean audio for interviews and run-and-gun shoots, with discreet wireless mics.

  • RØDE Wireless PRO2 lavalier mics, 32-bit float recording
  • Hollyland Lark Max 2Wireless mics
  • Zoom H6Multitrack recorder
  • RØDE NTG2Shotgun mic

06

Monitoring & post-production

Live video monitoring to follow the shoot, then editing, color grading and motion design.

  • Hollyland Pyro 54K monitor-transmitter
  • Hollyland Mars 4KWireless video transmission
  • MacBook Pro 16″ M3 ProEditing workstation
  • DaVinci Resolve StudioEditing and color grading
  • Adobe After EffectsMotion design

Planning a shoot?

Tell me about your project: I’ll suggest the right setup and send a free quote.

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FAQ

Frequently asked questions

What to know before planning your shoot.

  • Yes. All my cameras shoot 4K, in S-Log3 on the Sony bodies to keep latitude for color grading. I deliver in Full HD by default (MP4 or MOV, H.264 or H.265), and in 4K or ProRes on request.

  • Yes, with a DJI Mavic 3 Classic for aerial footage. Flights are regulated: in Paris, most overflights are prohibited, and elsewhere some locations require prior authorization. We check feasibility together for each location.

  • Yes. With five full-frame cameras and wireless mics, I can film a conference, a panel or an event from several angles at once. Depending on the scale of the project, I work alone or with camera operators from my network.

  • Yes, I can handle all post-production: editing, color grading and graphics. Allow 1 to 2 weeks for a first cut, depending on the time of year and the complexity of the project. If you already have an editor, I can also work on the shoot only.

Let’s talk about your project

A corporate film, event coverage, content for your social channels? Tell me what you need: I’ll reply with a tailored proposal and a free quote.

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